• Know how a group of Indian classical dancers celebrated Mahashivratri in Mumbai.

The dawn of February 15th, 2026, brought a celestial energy to Mumbai as the morning session of Shivoham 2026 commenced. This grand celebration of Mahashivratri, held at the prestigious Ravindra Natya Mandir, was a masterclass in cultural preservation and spiritual artistry. Organized by the visionary Acharya Pallavi P, the esteemed founder of the Natesh Art Foundation, the festival celebrated its sixth edition with an aura of grace and rhythmic brilliance.

Article written by Ms. Nehal Mistry. 

The Morning Prelude: Awakening the Senses

The "Morning Show" served as a "Prabhat Utsav," where the early hours were dedicated to invoking the presence of the Adiyogi through sacred sounds and movements. The soft glow of the stage lights mirrored the rising sun, setting a meditative tone for the day.

This session was particularly significant, as it featured a breath taking array of performances that spanned the rhythmic nuances of Kathak and the geometric precision of Bharatanatyam. Renowned artists and dedicated practitioners from across India and overseas gathered to turn the stage into a sacred space of movement and meditation.

A Confluence of Artistry and Pedagogy 

The morning’s success was anchored by an impressive line-up of gurus and their disciples, each bringing a unique interpretive flavour to the theme of Shiva. The stage came alive with the presence of:

Ms. Renata Pavrey and the Nrutyangan Kala Academy showcased the discipline of the classical form. The graceful, flowing ensembles of Lasya Vahini (Solo) and group brilliance by Ms. Yashashri Sachin Pai, Ms. Avantika Pawar, and Ms. Shruti Varier. The youthful energy of Mstr. Arzaan Qureshi and Ms. Kimaya More proved that the future of Indian art is in capable hands. Disciplined showcases by Pragati Nritya Sangeet Kshetra, Ms. Riddhi Deepak Potnis, Ms. Arpita Banerjee, and Mrs. Chaitali Madkaikar.

The powerhouse performances were from the Ved Institute of Performing Arts (VIPA). 

The Essence of Mahashivratri

Beyond the aesthetic beauty, the morning show served as a profound exploration of Mahashivratri. As a night and day dedicated to Lord Shiva, it symbolizes the victory of light over darkness. Through the dancers' mudras and expressions, the audience was reminded of Tandava—the cosmic dance of creation—and the quiet introspection of the Dhyana (meditative) state.

Team VIPA presented a theme of Hari-Har led by Guru Aditi Yadav. They performed Ram bhajan in rupak taal, showcasing an avatar of Shri Hari. Next was an ode to lord Shiva and an intricate tarana in teentaal. The group comprised of eight well trained kathak artists. Their spiritual alignment with the theme and the auspicious occasion of Mahashivratri evoked the rasa of true devotion in the audience.

Fostering a New Generation

One of the most significant triumphs of Shivoham 2026 was its educational impact. Acharya Pallavi P and her team ensured the event was a classroom for the younger generation. In the morning light, students were immersed in the significance of traditions, learning the linguistic beauty of Shlokas and the rhythmic pulse of Bhajans.

In an increasingly fast-paced world, such festivals are vital. They foster a holistic approach to life, encouraging spiritual growth and cultural literacy. By providing a platform where young dancers can share the stage with seasoned masters, the Natesh Art Foundation is ensuring that the flame of our heritage continues to burn bright. 

It was more than a performance; it was a bridge to our roots.

Written by Ms. Nehal Mistry

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